After an offshore nuclear blast leaves many questioning the safety of their wellbeing’s, a newly joined family must deal with the hard truths of close quarter family dynamics. Directed by - Karl Brooks, Maya Huggins Written by - Karl Brooks, Maya Huggins Produced by - Isabella Maugeri 1st AD - Emma Williams Director of Photography - Colin Gosselin Film Editor - Colin Gosselin Production Design - Samantha Hart Boom Operator - Samantha Hart Gaffers - Jacob Williams, Colin Gosselin OST Composer - Jameson Michael Hegger Sound Mixer - Mat Mruz Production Assistants - Jacob Williams, Matthew Kashevaroff, Will Teare, Dylan Starr, Kira Beckerman All Rights Reserved.

When Ryan witnesses a shocking and sudden transformation of his girlfriend Jess, he goes above and beyond to prove that he would indeed, still love her. Directed by @MayaHugginsFilms

A glimpse into some of my recent filmography work.

A Short Comedy written and produced by Matt Kashevaroff, Directed by Maya Huggins, shot & edited by yours truly. Winner of Best Cinematography at the 2024 Quinnies Film Festival

Two strangers locked in a basement must answer a series of questions in order to save themselves from an inevitable death.

Film Edited by me, hehe This film was produced based off of the following challenges as part of the 2022 Quinnipiac School of Communications 25 Hour Film Challenge… Theme - Films from the 40's Genre - Romance - Film must be in Black and White - A coffee mug must be used by any character - No camera movements in the film - Feature a character names Humphrey or Ingrid - "I'll do it. but I don't think its right" must be spoken - Feature a main character that doesn't speak - No modern technology in the film Music belongs to rightful owners

Two friends with an unconventional friendship must face the harsh truth. Best Picture Winner at the 2022 Quinnies Film Awards.

Two college kids purchase a mysterious drug from a mysterious guy. Music rights belong to the rightful owners The Chain - Fleetwood Mac Your Thing - The Isley Brothers Written, Filmed, and Edited by Colin Gosselin